Crossword Clues Starting With LLL LL on a T? L overseer. L x w x h. L'L'Adriatique, par exemple. The best opinions, comments and analysis from The Telegraph. L'Age ___L'eau lands? L'eggs competitor. L'eggs product. L'eggs shade. L'eggs wares. L'Enfant Plaza designer. L'Enfant ___, in Washingt. L'Escargot caught up by Italian stallion. L'homme over there. L'oc. L'Op. L'Or. L'Oreal competitor. L's meaning, sometimes. L'___ de Triomphe. L'___ du Tour (annual cyc. L'___ Vogue, Italian fash. L'___- deux- guerres (Frenc. L, e. g.: Abbr. L- 1. L- 1. 01. 1, e. g. L- P filler. L- shaped tool. L- ___ (Parkinson's treatm. L- ___ (treatment for park. L. Frank Baum prince. L. L. Cool J's "In Too De. L. M. Montgomery book "An. L. Ron Hubbard genre. L. Ron Hubbard's "___ Doc. L., B. or J. L. A. L. A. Clippers are in it. L. A. clock setting. L. A. gang member. L. A. hours. L. A. L. A. setting. L. A. sked abbr. L. A. Sports Arena team. L. A. suburb near Sherman L. A. summer setting. L. A. team vehicle? L. A.'s area, for short.
L. A.'s region. L. A.'s San ___ Bay. L. A.'s ___ Museum. L. A.'s ___ Tower, tallest. L. A.- based music magazine. L. A.- based petroleum gian. L. A.- to- Butte direction. L. A.- to- Jacksonville rout. ![]() ![]() L. A.- to- Jacksonville rte. L. A. P. D. call. L. A. P. D. division? L. A. P. D. investigator. L. B. J. biographer Robert L. B. J. in- law. L. B. J. Library site. L. B. J. or R. M. N., once. L. B. J. L. B. J. son- in- law Charles. L. B. J.'s successor. L. B. J.'s veep. L. E. D. part. L. I. L. I. R. R. stops. L. P. G. A. player? L. P. G. A. supporter? L. S. A. T. part: Abbr. L. S. A. T. takers. L. S. U. rival, informally. L/L Bean? La Belle La Belle ___La Brea attraction. La Brea goo. La Brea goop. La Choy product. La Citt. La donna. La Espa. La Gioconda, familiarly. La Grande Jatte, e. La Guardia : LGA : : O'Har. La Guardia data: Abbr. La Guardia or LAXLa Guardia posting: Abbr. La Jolla's ___ Institute La la lead- in. La la starter. La lead- in. La MLa Mediterranee, e. La mer, e. g. La Palma, e. La Paz is its cap. La Paz's land: Abbr. La preceder. La Rouge et la Noire. La saison d'___La Scala cheer. La Scala debut of 1. La Scala features. La Scala highlight. La Scala locale. La Scala music director b. La Scala offering. La Scala productions. La Scala solo. La Scala song. La Scala star. La Scala's city. La Scala, e. g. La Seyne- sur- ___La starter. La ___La ___ (Chinese food bran. La ___ (fossil- rich area)La ___ (Hollywood nicknam. La ___ (San Diego area)La ___ (weather worry)La ___ Caspienne. La ___ opera house. La ___ tar pits. La ___ vita. La ___, Bolivia. La ___, Calif. La ___, capital of Buenos. La ___, home of the Salk La ___, Milan opera house. La ___, port near Buenos La ___, Quebec. La- di- da. La- di- da pound shop. La- la lead- in. La- la preceder. La- la starter. La- Z- Boy spot. La. neighbor. La., e. La., e. g., once. La.- to- Mich. dir. Lab assignment, maybe. Lab blowup: Abbr. Lab bottle. Lab burner. Lab burners. Lab burners of old. Lab cells. Lab challenges. Lab charge. Lab container. Lab containers. Lab dish inventor. Lab eggs. Lab employees. Lab equipment. Lab field: Abbr. Lab garments. Lab gear wrong for this school subject. Lab gel. Lab glass. Lab glassware. Lab glove material. Lab heaters. Lab holder? Lab inspector? Lab instruction? Lab instructor? Lab item. Lab jobs. Lab maze runner. Lab medium. Lab monitor? Lab noise? Lab offering? Lab order? Lab personnel. Lab procedure. Lab protector. Lab reagent. Lab receptacle. Lab reports. Lab runner. Lab runners. Lab service: Abbr. Lab shouts. Lab sights. Lab site: Abbr. Lab slide objects, often. Lab sound. Lab specimens. Lab stock. Lab subj. Lab subject. Lab subjects. Lab test subjects. Lab test taker. Lab tube. Lab tubes. Lab units. Lab verification. Lab vessel. Lab wear. Lab work. Lab worker, perhaps. Lab workers may have them. Lab's ___ dish. Label. Label - children's game. Label a hug that's contrived as ridiculous. Label again, as a compute. Label anew. Label as cold nothing that's hot! Label for many a photo. Label G or PG, e. Label in a bibliophile's Label in a foreign- langua. Label in a Lauren Weisber. Label in Saks and Bloomie. Label info. Label meal cooked in plastic. Label of Bing Crosby's "WLabel on a certain advert. Label on a street- corner Label on an amplifier kno. Label on many an advertis. Label on some sportswear. Label outlining conclusion of anal pedant. Label these clothes? That's not a job for Miss Worthington. Label with a name on it. Label written up, amended date issued. Label: approve it, we hear. La. Belle or Lu. Pone. Labels. Labor. Labor action. Labor activist Chavez. Labor activist Silkwood. Labor class? Labor convenience. Labor Day and many other Labor day arrival? Labor Day's mo. Labor day? Labor Dept. arm. Labor Dept. Labor Dept. section. Labor Dept. watchdog. Labor group. Labor grp. Labor grp. since 1. Labor grp. since 1. Labor leader Ch. Labor leader dropping off. Labor leader George. Labor leader I. W. Labor leader I. W. Labor leader James. Labor leader Jimmy who my. Labor leader of note. Labor leader's cry. Labor org. since 1. Labor organization. Labor organizer's cry. Labor organizer? Labor Party member, maybe. Labor party? Labor saver. Labor secretary under the. Labor's partner. Labor's partner, in a gar. Labor- management arrangem. Laboratory bottle. Laboratory sessions. Laboratory task. Laboratory vessel. Labored. Laborer. Laborer of old. Laborer's suffix. Laboriously extract something captured in war. Laboriously make. Laborites' preferred work. Labors over. Labour. Labour challenger "hits women" – not true. Labour fails to suppress female PMLabour leader appears dishevelled in old clothes. Labour leader fearing meltdown? Time for someone more right- wing. Labour Party clipped in the end. Labour set up many elections. Labour wants second rail service. Labour's beast trashed May: "An abhorrent leader of idiots"Labour's leader unseated in this? Labour, in England. Labourers. Labourers going around spotted tools. Labrador food? Labrador hrs. Labrador retriever, for s. Labrador retriever? Labradors and Yorkshires. Labyrinth. Labyrinth locale. Labyrinth parts. Labyrinthine. Lac contents. Lace. Lace (into)Lace into. Lace mat. Lace part. Lace place. Lace place mat. Lace shade. Lace site. Lace tip. Lace's end. Laced up. Laced waterproof boot. Laceless shoes. Laces (into)Laces into. Lacey on "Cagney & Lacey"Lachesis and Clotho, in m. Lachrymal. Lachrymose. Lack. Lack - want. Lack direction. Lack equilibrium. Lack job, love to go to the top. Lack of action from saint the way things are. Lack of adornment. Lack of agreement in recess. Lack of any desire for lu. Lack of any false pride. Lack of bravery. Lack of care. Lack of certainty, say, in the Conservative leader, wavering. Lack of color. Lack of comforts. Lack of completion in building coalition. Lack of constraints. Lack of difficulty. Lack of direction. Lack of energy. Lack of enthusiasm. Lack of experience. Lack of experience perceived by audience to some extent. Lack of faith in so many leaders chasing articles. Lack of get- up- and- go. Lack of gravity. Lack of guilt. Lack of interest. Lack of knowledge. Lack of laxness. Lack of moderation. Lack of movement. Lack of openness. Lack of optimism partly affecting loo manufacturers. Lack of organisation? Lack of pity. Lack of power? Indignation after Republican's sent packing. Lack of precision. Lack of principles said to obstruct friendship. Lack of refinement. Lack of rest breaks when leaving - most curious. Lack of restraint. Lack of secrecy. Lack of starch. Lack of system in barristers sadly restricting opening of action. Lack of talent excluding a privileged group. Lack of taste or style. Lack of variety. Lack of vigor. Lack of vitality. Lack of water and bread keeps king tense. Lack something to make one conspicuous? Lack stability. Lack sweet touch, having no heart. Lack, briefly. Lackadaisical response. Lackawanna's partner in r. Lacked. Lacked, briefly. Lackey. Lackeys without power or wealth. Lacking. Lacking a break. Lacking a charge. Lacking a dividing membra. Lacking a key. Lacking a key, in music. Lacking a mate. Lacking a middle. Lacking a musical key. Lacking a musical quality. Lacking a partner. Lacking a signature, say. Lacking a sponsor. Lacking a stopover, as a Lacking a surrounding col. Lacking ambition. Lacking any elements. Lacking any guarantee of Lacking anywhere to go? Lacking backup. Lacking bargaining power,Lacking brio. Lacking bumps. Lacking chivalry. Lacking color. Lacking common sense. Lacking company. Lacking conviction. Lacking courage. Lacking couth. Lacking cover, soldiers gathered in a group. Lacking cover? Lacking depth. Lacking details. Lacking education, poor aunt meets violent thug. Lacking energy? That's a problem for a walker. TALENTSMoisés is a Mexican born designer based in Mexico City. His hometown, being chaotic and over populated, as well as Mexican objects, traditions, textures, social contrast and chromatic diversity are elements influencing Moises’ work. Moisés have always been atracted by simplicity and fresh ideas and that is why he decided to study at ECAL, in Lausanne Switzerland where in summer of 2. Mexican to get a Master of Product design from this school obtaining special mention. The concept of this vase collection is to have different cylindrical containers that are connected between them but with independence at the same time, each container have different diameters and heights, giving the feeling of rhythm and balance. The vases are made of borosilicate glass, which allows a pure and geometric appearance, with clean and solid connections. The cylinders heights incite to play with the flowers, giving individuality to the elements of this object and making the flowers and the water look like they are floating, generating a micro landscape feeling. Quinten Mestdagh from the Royal Academy Of Fine Arts Antwerp has a great talent, his garments are spectacular and complex. They reflect our modern obsession for messages and personality. This strong and colorful collection was inspired by ripped up publicity panels and a love for fashion photography and strong graphic identity. For you to get to know him better we asked Mestgagh a few questions: How did you start this project? I wanted to work around the concept that showed the power and strength of fashion photography and fashion imagery. I’ve always been attracted to highly stylized and iconic fashion images in magazines and advertisements and they were the main inspiration for starting the collection. During a walk trough the Paris metro stations I came across an advertisement from the department store les Galleries Lafayette. On the advertisement there were two models shown who were wearing very skinny trousers. Right from the waist up the poster was ripped off and the silhouette of the long legs continued into the rips of the paper. It created a new and abstract kind of silhouette and it was the main inspiration for the shapes and the graphic identity of the collection. By seeing these ripped advertisements I started to get interested into how you can create, by an act of aggression on a beautiful picture, a kind of tension or disruption on an image. I started with making collages and 3d paper compositions myself with Images found in the archive of the MOMU library in Antwerp. Glossy pictures of woman’s faces are disrupted by paper rips and shreds resembling the damaged advertisements creating a tension and roughness in contrast with the beauty showcased in fashion photography. Afterwards I made blow- ups of these prints and started to think how I would translate them to into 3- Dimensional garments. Can you tell us more about the shapes? For the shapes of the clothing I looked to the clean and architectural volumes of midcentury couture gowns. They had and elegance but also a kind of static and strong feeling that worked really well together with the impact of the prints. I used trompe l’oeil effects by printing the paper collages on different fabrics and reinforcing them with stiff non woven and paper. So it has the effect and lightness of paper but the fabrics have enough stiffness and structure to hold the shapes. I also worked with pleating systems in full skirts where the two pictures are fused together to recreate the feeling of rotating billboards. How would you describe yourself: as an artist / as a fashion designer / as a graphic designer …? I tend to work almost always in a very graphical and visual way when I start designing. I am really interested in the power of image and graphics and it is something that I always try to incorporate in my work. It is really important to me that the core of my work always starts from a reference that is directly linked to fashion. Working with contrasts and juxtapositions is a theme that always comes back in my work and I always try to find a way to visualize that. What fascinates you so much about photography? In fashion photography its always the direct impact and beauty of an image that strikes me the most. Your work is very strong also by the way you use colour, what is your relation to colour ? I really like to mix very bright and hard colors with other colors that are more soft or calm. It’s always about finding a contrast between them to get that graphic feeling. I like to work with colors on images that it looks like there has been a filter placed over them and everything gets saturated into one bright glow. Is your design process always the same ? It always starts with a lot of visual references who I then place next to each other to create a dialogue or a contradiction between them. For me this process is a lot of fun because it’s really here where the collection starts to come together as a whole. From here on I then start to think how these images can be translated into shapes and how they can become a three- dimensional fashion silhouette. How do you see yourself in the future? I Hope that one day I will end up in a place or a position where I can continue to work with fashion in the same way that I am doing it and how I am enjoying it now. Cecile Poignant. Photography: Michael Smits. Make- up: Laura Noben and Cecile Paravina. Model: Luka Van der Vekenquinten mestdagh. Teresa van Dongen, AMBIO_photo by Hans Boddeke. Teresa van Dongen recently graduated the Design Academy - Netherland is exploring the boundaries and connection of design and biology. For you to get to know her better, we’ve ask her some questions about her work: You graduated from the Design Academy in 2. When I graduated my project ‘Ambio’ gave me a flying start: it was exhibited, awarded and published internationally. Ambio’ is a lamp that works on bioluminescent bacteria from the skin of an octopus. The bacteria are inside a seawater liquid, when they are oxygenated by movement they emit a dim blue light. In 2. 01. 5 I won a ‘Dutch Design Award’ and ‘the Eyes on Talents Award’. The last award allowed me to create a big installation at the Musée des Arts Décoratifs in Paris during D’Days 2. One Luminous Dot’, a continuation of ‘Ambio’. Since then I continued to work with microorganisms. My latest project ‘Spark of Life’ is a lamp that works on electro active bacteria. First you studied biology and after you applied at the Design Academy Eindhoven. What made you want to be a designer too? Actually, I never wanted to become an artist like many of my friends did, but when I discovered that through design you could make so called "applied arts" I knew that that was what I wanted to do because I love to do or create something for others. The direction "Well Being" at the Design Academy fitted exactly what I wanted to do because it focuses on the well being of all living things and systems; people, nature, animals and the society as a whole. What aspects of biology are fascinating to use for your designs? During my study Biology, I noticed that interesting developments in the field of science often didn’t leave the confined space of the lab, or find an application in daily life. I see a great opportunity for designers to work together with scientists and use each other’s knowledge for co- creation. Can you describe your creative process? How do you start your project, what is your goal and how do you know it’s finished? To start with, I take a period to do research into scientific developments; I go to lectures, watch documentaries and I read about it. When I find something that takes my interest, I try to find if there is a scientific discipline related to the subject and to find someone working in that field. Often professors are quite willing to call or meet me in person, and at this point I already have some sketches of what I imagine could be a done with the technique I have in mind. If the professor finds it interesting he/she puts me in contact with his or her (master) students, who are often happy doing something new and experimental. During ‘Ambio’, the students did sometimes even text me in the middle of the night after drinking in the pub, telling me that they would go to the laboratory to check if the bacteria were still emitting light. After I understand the science, technique and the essence of the technology to try to simplify it. Then I try to make the technology part of the design and when it’s working, I know it’s finished.
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